This is the story of how this dress, design and construction came to be.
Starting the story
I had this Broderie Anglais cotton in white that I had
eco-dyed, with leaves and flowers etc. However, cotton does not eco-dye very
well- animal fibres such as wool and silk do much better. So, I added some
chemical paint to add some bright splashes, as you can see in this photo.
Then, the quandary was what to make of it – first I thought
I would make a tunic top – I love making those. Then I saw this uneven dress on
an in-flight magazine and that set up brain ticking! I decided to take an
existing pattern, an old one, McCall’s 7412 and hacked that to come up with my
own uneven dress.
The dress was shorter on one side and longer on the other.
But instead of having a very long seam (which would become a bias seam), I
decided to add a godet to the longer side – this gave a nice long drop, which
really floats around in the breeze, but does not cause any dress malfunctions,
thankfully.
The only downside with the fabric was I did not have enough
to cut the godet on the bias, instead having a central seam in the godet. The ‘floatiness’
is slightly less due to this. Anyway, here are some photos of the dress.
The cotton summer dress |
A front view |
This was the toile – well, sort of! I do love wearing it.
Once you have made one, you have to make more!
But I wanted to make another dress,
with some wool fabric in my stash – a more winter-ready concoction with sleeve –
dropped shoulder does not really work in winter, does it?
While discussing linings for such a wool dress, one of my
sewing mates suggested I use silk for lining. Apparently, it gives a luxurious feel to the garment.
See a write-up about linings here.
So, off I went looking for places I could buy silk without
paying an arm and a leg. And that’s when I saw the Tessuti competition,
And boy, was I hooked – so here are the details of my entry:
A silk uneven dress
I started with hand-washing the fabric, as I planned to do
that to the dress, and it washed and dried beautifully.
Here it is all laid out on the cutting table, with the hacked
pattern. Yes, you can see all the taped on bits – at some point I need to make
a clean copy. But I am not sure I am going to make one – really who has the
time, when I can make more garments instead.
The fabric was slippery, and you do need a pair of sharp
scissors to cut it out.
And here is one of the sewing in progress.
The best way to finish seams
I am very fussy about the inside of the garment, so I did
the shoulder seams with a French seam, but that was not really possible for the
side seams. I considered a Hong Kong seam, but felt that would add bulk to the
really soft and drapey fabric. Hence I went with the “turned and stitched” seam
which Threads says “is used in designer clothing”. Here are a couple of photos of
what the seams look like – the back seams and where the godet is attached.
I decided to have a button and loop back neck closer –
though the neck-line is big enough to go over my head – did not want to inadvertently
stretch the neckline.

And here are some photos of me in the finished product – there was a slight breeze that day, so it did swish just as I wanted it too.
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Side view showing the fall of the godet |
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A back view |
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It floats beautifully in the breeze |
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A close-up of the way the godet hangs |